Thursday, May 9, 2013

HELIUM



 
Helium:  Not the inert gas, but the most powerful red Martian nation upon Baroom, located in the South East Hemisphere.  This nation has the largest armada of any red Martian empire, consisting of some 7,000 advanced warships.  The Jeddak of Helium, Tardos Mors  resides in the city of greater Helium, while his son Mors Kajak, father of Dejah Thoris lives in lesser Helium.


"Helium," he said, "rightly boasts the most beautiful women of Barsoom, and of all her treasures the wondrous daughter of Mors Kajak, Dejah Thoris, is the most exquisite flower.”  (PM XXI)


 “In addition to the twin-city formation of Helium, another distinguishing feature is the two immense towers, one of vivid scarlet rising nearly a mile into the air from the center of one of the cities, while the other, of bright yellow and of the same height, marks her sister.”  (PM XXIII)



Helium is unique for its twin capital cities which  are two karads (75 miles) apart; these cities lie 27 karads southwest of Zodanga.  A great wind storm toppled the Scarlet Tower of lesser Helium about twenty years after the birth of Tara of Helium, daughter of John Carter and Princess, Dejah Thoris. (CM V)

“As he moved with the throng in the parklike canyon of the thoroughfare the life of an awakening Martian city was in evidence about him. Houses, raised high upon their slender metal columns for the night were dropping gently toward the ground. Among the flowers upon the scarlet sward which lies about the buildings children were already playing, and comely women laughing and chatting with their neighbours as they culled gorgeous blossoms for the vases within doors.

“The pleasant ‘kaor’ of the Barsoomian greeting fell continually upon the ears of the stranger as friends and neighbors took up the duties of a new day.

“The district in which he had landed was residential—a district of merchants of the more prosperous sort. Everywhere were evidences of luxury and wealth. Slaves appeared upon every housetop with gorgeous silks and costly furs, laying them in the sun for airing. Jewel-encrusted women lolled even thus early upon the carven balconies before their sleeping apartments. Later in the day they would repair to the roofs when the slaves had arranged couches and pitched silken canopies to shade them from the sun. Strains of inspiring music broke pleasantly from open windows, for the Martians have solved the problem of attuning the nerves pleasantly to the sudden transition from sleep to waking that proves so difficult a thing for most Earth folk.

“Above him raced the long, light passenger fliers, plying, each in its proper plane, between the numerous landing-stages for internal passenger traffic. Landing-stages that tower high into the heavens are for the great international passenger liners. Freighters have other landing-stages at various lower levels, to within a couple of hundred feet of the ground; nor dare any flier rise or drop from one plane to another except in certain restricted districts where horizontal traffic is forbidden. (TMM II)

“Along the close-cropped sward which paves the avenue ground fliers were moving in continuous lines in opposite directions. For the greater part they skimmed along the surface of the sward, soaring gracefully into the air at times to pass over a slower-going driver ahead, or at intersections, where the north and south traffic has the right of way and the east and west must rise above it. From private hangars upon many a roof top fliers were darting into the line of traffic. Gay farewells and parting admonitions mingled with the whirring of motors and the subdued noises of the city.   Yet with all the swift movement and the countless thousands rushing hither and thither, the predominant suggestion was that of luxurious ease and soft noiselessness.

“Martians dislike harsh, discordant clamour. The only loud noises they can abide are the martial sounds of war, the clash of arms, the collision of two mighty dreadnoughts of the air. To them there is no sweeter music than this.”  (TMM II)  
 

 
Top artwork from Thomas YEATES
Lower artwork from Neal McDONALD
 

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